ÉTAT HER

So Koizumi Design's First Solo Show in Korea Puts Works Inside a Fragrance Brand's Store, Not a White Cube

So Koizumi Design has teamed up with Seoul fragrance brand POINTTWOFIVE SECOND for an exhibition at 025S SEONGSU HAUS, embedding the work directly into the brand's existing space rather than presenting it as a standalone display.

So Koizumi Design's First Solo Show in Korea Puts Works Inside a Fragrance Brand's Store, Not a White Cube

No standalone exhibition walls, no partitioned white cube. So Koizumi Design's work is simply scattered throughout 025S SEONGSU HAUS, the Seongsu-dong flagship store of Seoul fragrance brand POINTTWOFIVE SECOND — marking designer So Koizumi's first solo exhibition in South Korea, held not in a typical gallery but in a fragrance space that's still fully operational.

The exhibition is simply titled "So Koizumi Collection," with works distributed across 025S Haus's 2F Art Space and other areas throughout the store, juxtaposed with the existing interior design. This arrangement is itself a deliberate choice: rather than treating the pieces as a collection to be appreciated in isolation, the organizers chose to let the objects, structures, fragrances, and architectural elements coexist and interact with one another. So Koizumi has long focused on the meaning carried by material and structure itself, and here his work isn't isolated under gallery lighting — it's placed within an everyday space that already has its own scent, traffic flow, and other objects.

小泉窗設計首次韓國個展,作品被放進香氣品牌的店裡而非白盒子

POINTTWOFIVE SECOND is a brand built around personal scent experiences, memory, and emotion, with a scope that extends beyond perfume into sensory forms like tea and art. This collaboration effectively folds design objects into the brand's ongoing sensory experiments "beyond scent" — only this time, the protagonist is Koizumi's exploration of material and structure.

Exhibition photography by Teo Josserand captures the deliberate visual connection between the works and the interior building materials, rather than isolating the pieces from their surrounding environment.

The exhibition runs from July 22 to September 22, 2026, at 025S Haus 2F Art Space in Seoul, South Korea. For ticketing and visitor information, please check the brand's official account @025s.official or the designer's account @so_koizumi_design.

Related

Freddie Mercury's Yamaha C3 Piano Heading to Auction, Estimated at $528,000
Art

Freddie Mercury's Yamaha C3 Piano Heading to Auction, Estimated at $528,000

The Yamaha grand piano that recorded "The Game" and "Hot Space" at Munich's Musicland Studios will go under the hammer at Propstore, alongside Mercury's studio microphone and handwritten manuscripts.

Kenny Schachter on the Art World's Mess: Stop Complaining, Go Make Something
Art

Kenny Schachter on the Art World's Mess: Stop Complaining, Go Make Something

In a Hypebeast "State of Art" interview, artist, critic, and curator Kenny Schachter uses his three-decade obsession with Paul Thek to make the case for his own signature advice: instead of griping about the art world, just get to work.

Justin Bieber Puts Out Call on X: Wants to Make a SKYLRK Phone
Art

Justin Bieber Puts Out Call on X: Wants to Make a SKYLRK Phone

Justin Bieber took to social media to publicly announce he wants to build a SKYLRK phone, leaving behind a dedicated email address to recruit potential collaborators. The idea surfaced the same week SKYLRK has been rolling out a flurry of footwear and audio products.

Ben Quilty's NYC Debut "Devil/God": Turning Cars Into Phallic Idols, Stitching the Virgin Mary Into Corporal Punishment Leather
Art

Ben Quilty's NYC Debut "Devil/God": Turning Cars Into Phallic Idols, Stitching the Virgin Mary Into Corporal Punishment Leather

Australian painter Ben Quilty will present his solo exhibition "Devil/God" at albertz benda in New York, using thickly layered oil paintings and sculpture to confront masculine idolatry, religious power, and ecological collapse. The show opens October 15, 2026.

Yohei Ogawa Enters Trading Cards for the First Time, "Green Cow Garden" Pop-Up Lands at Hong Kong's BELOWGROUND
Art

Yohei Ogawa Enters Trading Cards for the First Time, "Green Cow Garden" Pop-Up Lands at Hong Kong's BELOWGROUND

Japanese illustrator Yohei Ogawa launches a debut trading card project with 137 designs at Hong Kong's BELOWGROUND, anchored by a 1.4-meter BG Bear statue on site. He also opened up about his own struggles trying to score Pokémon card packs.

Met Museum Displays Oldest Surviving Fragment of the Odyssey, Papyrus Reveals Three Lost Lines
Art

Met Museum Displays Oldest Surviving Fragment of the Odyssey, Papyrus Reveals Three Lost Lines

The Metropolitan Museum of Art has put the oldest surviving Ptolemaic-era papyrus fragment of the Odyssey back on display in Gallery 162. Dating to roughly 285–250 BCE Egypt, the ancient artifact contains three lines of verse not found in today's standard text.